Invasion Reviews

Invasion! by Guest User

Newcity Stage Chicago
By Zach Freeman
August 9, 2013

An ever-shifting piece of all-engaging theater, [Invasion!] asks its audience to stay on their toes and take nothing for granted [...] Invasion! can be uniquely understood by each audience member based on their own experiences.

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Invasion! by Guest User

Theatre World Internet Magazine
By Ruth Smerling
August 5, 2013

Jonas Hassen Khemini’s Invasion! is a humorous but brutally in-your-face candid discourse on Arab identity in the world. Invasion! raucously cushions it’s slings and arrows spoofing American TV, borrowing format and content from shows like Friends and Saturday Night Live. The four person ensemble of Kamal Hans, Amira Sabbagh, Glenn Stanton and Omer Abbas Salem are merciless as they poke fun at the images of typical Arabs in America by sharing the concept of Abulkasem, the icon of bad behavior, a terrorist who put fear in the hearts of everyone around him. For everyone who has a hard time communicating, a fear of foreigners, or just needs a good laugh, Invasion! delivers from a depth of perspective rarely explored in the United States. Invasion!, with its stunning cast of original artists, is a must see.

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An Arab Zelig by Guest User

Stage and Cinema
By Lawrence Bommer
August 4, 2013

As malleable as the material, Anna Bahow’s subversive staging for Silk Road Rising keeps it surreal—and toxically familiar. The cast—Kamal Hans, Amira Sabbagh, Glenn Stanton, and Omer Abbas Salem—inhabit their careful caricatures with heart, charm and zest.

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Invasion! by Guest User

TimeOut Chicago
By Kris Vire
August 10, 2013

The refractory Invasion! is a meditation on the powers of language and skin color...Khemiri also plays with the idea of an Arab-sounding name—Abulkasem—taking on a life of its own as it's transmuted from one speaker to another like a game of Telephone, eventually becoming the moniker of a terrorist who may or may not really exist.

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Ethnic assumptions get a workout at Silk Road by Guest User

Chicago Tribune
By Kerry Reid
August 9, 2013

[The play] blends the classic nesting-stories structure of "The Arabian Nights" with contemporary riffs on the psychic damages incurred through racial and ethnic profiling. The result [...] is a clever and sometimes-wrenching kaleidoscopic journey through the looking-glass of prejudice, fear and internalized self-loathing that ends with an indelible and horrifying erasure of identity.

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